Tuesday, 22 July 2014

Disco-soul grooves from WIllie and Paul (1982)

More than three hundred and fifty entries and five years later, it seems that Electric Jive still has some energy and no shortage of out of print gems to revive and archive.

Willie Motala and Paul Hlatshwayo's strong voices have featured previously on the second most popular post ever on Electric Jive: "Disco Soul: 20 Grooves from the 1970s". This album shared today showcases an 80s slickness in production with a lively blending of soul, disco and mbaqanga.

Your comments and feedback have played a big role in keeping all four of us going in those "run out of inspiration, time and energy" moments.

It is fascinating for me to understand who around the world is interested in the music we share on this blog. Of course, internet access and population size do have a big influence in creating the patterns. It should be no surprise that 27% of all visits are from the USA where 267 million people (84.2% of  317 million) use the internet.

Joint second at 10.5% each are South Africa and the UK. Electric Jive's South African audience is the fastest growing, with 13 percent of all page views in the last month.. Only 25 million (48.9% of 51 million)  South Africans use the internet (compared to USA's 267 million). Looking at all the other countries' numbers, relatively speaking, South Africa has the highest proportion of its population that visits Electric Jive.

What does surprise me though, is Colombia which has the eighth most visitors to this blog. Colombia's population (47 million) and internet penetration rate  (51.7%) are very similar to South Africa's numbers. Electric Jive's friends like Fabian Althoma in Barranquilla still have strong African roots in their musical preferences. Check out Fabian's blog Africolombia here. You can read a fascinating  photo-essay on. Barranquilla's sound-system culture here.

Ten countries make up sixty-five percent of visitors to EJ. The other thirty five percent is spread very widely across the globe:

1. USA  27%
2. UK 10.5%
3. RSA 10.5%
4. France 6%
5. Germany 4%
6. Belgium 2%
7. Netherlands 1.25%
8. Colombia 1.25%
9. Italy 1%
10. Russia 1%

This album: Produced by Tom Vuma. Engineer: Philip Nel. His Masters Voice - JPL (E) 4012.

Rapidshare here
Mediafire here

Thursday, 17 July 2014

After Me: The Sound Proofs (1975)

Its always a good time to celebrate Sankie Chounyane, Soweto soul-man with a sweet 70s marabi chill.  Four languid and laid-back Chounyane tracks showcasing  a "jazzy sensibility" backed up by a top-notch but unidentified band.
Barney Rachabane recorded with the Sound Proofs - have a listen to that album here. Besides Chounyane on keyboards it is probable that other members of The Movers also feature on this album.

According to Max Mojapelo, the original group included Sankie Chounyane, Oupa Hlongwane, Norman Hlongwane and Sam Thabo, though the lineup would shift throughout the seventies. Others that performed with the group at various times included Lulu Masilela, Lucky Mbatha, Blondie Makhene, Philip Malela, Jabu Khanyile, Vusi Shange, Rammy McKenzie, Jabu Sibumbe, Lloyd Lelosa, Archie Mohlala, Peter Moteolhe, Thomas Phale, David Thekwane, Dakkie Tau, Robert Mbele, Maxwell Kubheka and Peter Morake.

You can find a Movers discography at Flat International here.

Mediafire here
Rapidshare here

Sunday, 13 July 2014

The Moonlight Expressions: How Long (1975)

Some gems in this South African seventies soul offering - from Sankie Chounyane, through Sophie Thapedi, to Booker T. Jones. The instrumental cover of the Temptations' "My Girl" worms its way into your ear. Johnny this one is for you.

My stand-out favourite is the excellent cover of the socially conscious Staple Singers' 1973 number one "If You Ready". Eleven years after this particular recording was made, Jonathan Butler and Ruby Turner in 1986 turned this same song into a township anthem.

If you enjoyed the Sophie Thapedi and Lulama Legola album posted by Siemon not so long ago - here - this record offers great versions of "How Long" and "Change My Mind".

Quite who comprised the "Moonlight Expressions" remains a mystery. This Johannesburg-based band were popular enough to have records cut in Kenya. To my untrained ear it does sound as if Sophie Thapedi was the vocalist?

Nearly five years ago I shared a pretty scratchy Moonlight Expressions compilation squeezed out of two cover-less damaged records I had found. You can find that here. The recording offered in this post is much cleaner and clearer.

Mediafire here
Rapidshare here

Wednesday, 9 July 2014

Amagugu with the Intuthuko Brothers (1976)

Silky-voiced Sannah Mnguni, previously lead-singer of Izintombi Zesi Manje Manje, heads-up a stand-out  vocal-mbaqanga quintet. The Intuthuko Brothers provide the instrumental  fireworks, with Harry Nhlapo the likely male 'groaner'. This ten-piece outfit is up there with the best - at least as good as the Makgona Tsohle Band and the Mahotella Queens in their prime.

Today's offering is a "best of" Amagugu and the Intuthuko Brothers, happily with only one duplicate from the previously shared Amagugu album. My absolute favourite is the slow and jazzy Uyozikhethela (You Decide). 

Mnguni was also a prolific writer, responsible for penning eight of the twelve tracks featured here. Amagugu's 1974 Ubhek'uZulu can be found here; Other albums featuring the Intuthuko Brothers can be found here and here and here. Izintombi Zesi Manje Manje can be found here and here. I do not have a copy of the Izintombi album "Nomali" that was recently requested, but I will find place for one or two others in the future.

Rapidshare here
Mediafire here

Monday, 30 June 2014

The Tulips - Uskhandamayeza (1978)

Herewith a hefty dose of mbaqanga soul from The Tulips courtesy of electricjive follower Frank Tischer. Recorded and released in 1978 on the Ring Ring label this collection is rooted in the style made famous by the Soul Brothers and borrows a lot from dance floor sounds of disco. The album was produced by Roxy "Black Cat" Butelezi. Roxy Buthelezi was active in the late sixties with the Queue Sisters, the Black Spurs and the Ndoda Band before joining EMI Brigadiers in 1971. He later recorded as the Black Cat Trio and created his own Black Cat label. He was assaulted in his sleep in June 1981 and died as a result of injuries sustained.

Enjoy! Rapidshare / Mediafire

Tuesday, 24 June 2014


Yesterday Electric Jive reached a milestone of one million page views! And July 2014 marks the fifth year since Chris and Matt launched this blog... and so thank you all who have visited these pages over the last 60 months!!!

What better way to celebrate than with this elusive instrumental mbaqanga compilation: The Best of Number One Records (N 9000). Number One was developed in 1972 by EMI, South Africa as a budget label and this unique sampler disc features nearly one track from each of their first fifteen LPs (N 9001 - N 9015). The label is perhaps best known for re-issuing some of the most desirable SA LPs of the mid to late 1960s, including: Armitage Road by the Heshoo Beshoo Group, the 1964 Castle Lager Jazz Festival featuring the Malombo Jazz Men, Nomvula's Jazz Dance by the Jazz Ministers, and a number of albums by The Kings Messengers Quartet (which still leads EJ in the most page views).

Ironically (or typically) this album does not feature any artists names, even though it is labeled as a "Special Sample Record for the SABC" (South African Broadcasting Corporation). Most tracks are attributed to Tom Vuma and/or P. Manthata, but some of the albums have been featured here at EJ so we can extrapolate at least these four artists: Alfred Ndima (N 9005), The Black Eagles (N 9006). The Moon Stars (N 9009) and Abafana Basekhaya (N 9015). Of course there is the possibility that these are all the same session musicians, but if anyone is able to identify any of the other artists, please let us know.

The Best of Number One Records
Various Artists
Number One (EMI)
N 9000



Tuesday, 17 June 2014

The Sound of Motella (1966)

Sometimes I wonder if I run against the grain of most record collectors in having a deep attraction for particularly damaged records. The album featured today is no exception. From an absent corner that must have provided sustenance for some small creature, to the beautiful water stain that runs across the back and visually approximates the north-western coastline of Africa—the cover by most accounts would be considered severely compromised... or as it would be listed on eBay... "G" for "Good"!

The condition of the vinyl, thankfully, is not as dire. Issued in 1966 on the Motella label, this compilation is the second long playing record published by Gallo's iconic Mavuthela stable following the debut: Meet the Mahotella Queens (LMO 101). The album brings together an eclectic range of early instrumental sax and harmonica jives, save for one track—Mayoyo—featuring female vocalists (perhaps Nick Lotay can help us out with identification). What more can be said about this iconic company that has not already been covered by Nick in his excellent posts here at Electric Jive and Matsuli. Do check these out!

As with most LPs from this period, the compilation features tracks previously issued on 78 rpm. While the track listing, oddly, does not reveal the artists' names, the images of the Motella labels on the front cover do; and so I have listed the details below:

01) Mario and his Khaila Alto — Jive March Time
02) Hlathi & Mahlathini — Khonza Egagasini (MO 43)
03) Marks Mankwane & His Alto Sax — Kap Kap Jive
04) Anania Wa Mfolo — Khula Anania (MO 63)
05) Jazz Manikiniki — Raai Raai (MO 55)
06) Jazz Manikiniki — Mayoyo (MO 75)
07) Jazz Manikiniki — Welcome 1966 (MO 74)
08) D. Makhekhe & His Sax — Qhude Manikiniki (MO 81)
09) D. Makhekhe & His Sax — Ginyitshe
10) Pyjama Party Band — Fukuzela
11) David Khanyile & His Alto Sax — Tha Tha U Thu Thuke
12) Jazz Manikiniki — Meropa Morago
13) Marks and His Alto Sax — Phalaborwa
14) Mario and his Khaila Alto — Jive Smodern Jive No.4

The Sound Of Motella (Town and Country)
Various Artists
Motella, LMO 102